Evelynn Starr

I took off three months from work to get cracking on a memoir. That was my declared goal. Before it started, I created an excel-spreadsheet timetable, like in school, with slots for everything from breakfast to yoga to food shopping to skating to flying and, of course, to writing. According to my timetable, I was due to write for something like 7-10 hours every day.

Unfortunately in my immense wisdom and unbridled ambition, I forgot to schedule slots for basic things like showering, phoning with my husband, reading, vacuuming, paying bills and paying attention to the world around me. There was no time to “veg”. And I discovered (and perfected) the fine art of getting in my own way.

Though I have been a writer of sorts for more than 20 years (journalism counts, doesn’t it?), I’m finding that the act of writing, the physical undertaking, is much more difficult and excruciating than I expected. Or maybe I have just forgotten how to do it. Wit, truth and insight are buried deep. Wherever they are lurking, they seem to like it there.

Lots of words on a page. Easy, huh? (Not really.)

In the past few years, I feel like creativity has bled out of me, replaced by ordinariness and tedium. Like my craft has abandoned me. I can’t put a finger on the time or the place – it was a process… it happened much like a stealth bomber approaches a target, creeping in under radar, with folks on the ground not noticing it’s there till it’s too late.

But perhaps I was never the fountain of ideas and the visionary of originality that I thought I was in the first place. Still, the (perceived) end likely came after I traded in my journalism combat boots for corporate 6-inch heels. Press releases, communications strategies and report launch plans do not inspire me. At least not in the industry in which I am currently caged.

This afternoon’s visit to the local bookstore was a sobering experience. Hundreds of biographies and memoirs, most of which are probably exquisitely written, lined the shelves, each story more compelling in its shock and tragedy than the next. And I only skimmed the back covers of maybe 30 of them.

I once read somewhere that a good story is one where the protagonist changes somehow. That through some event or encounter she matures, grows and becomes a different person. It’s this transformation, this emotional evolution that forms the core of a good story. And in many books I saw today, this transformation happens through one or more of the following: death, disease, drunkenness, denial and destruction.

So that’s another thing I’m wondering as I wade into this ocean of words. Must one have hit rock bottom in some way in order to write a convincing and gripping memoir? Must the road of personal growth always be paved with catastrophic and wretched experiences? Doesn’t that get old after a while? Is this the only formula that works? Or that publishers publish?

There are thousands of websites that offer tips and advice to hopeful writers, and the glut of information makes your head spin. If you read enough of them, you will find absolute contradictory information. One “expert” advises one thing on her blog, and the next advises the opposite on his. This wealth of data leaves the nascent yet increasingly insecure creative non-fiction writer to pick and choose to the best of her knowledge and belief. She’s left guessing what’s important and what’s not. This seems like no way to be successful.

Some famous writer in ages past once said something like: writing is one part inspiration and nine parts perspiration. If I was inspired, I would go on google right now to find out who it was. But I’m not. I’m already sweating and overwhelmed by the information I already posess. And with every passing day my discouragement grows. Do I just not have what it takes? What does it take? And why does every writer go through these toxic fits of paralyzing self-doubt and hesitation? And who wants to read about my lousy, insignificant life, anyway?

My writer friends tell me this is all quite normal. But honestly, it is truly crushing. And I’m not sure anymore that I am cut out for the job.